#TORCHLIGHT HIRE FULL#
Tilting wide-angle view of two Shell workers wearing full safety gear standing together in front of a large industrial plant as they talk.
Low-angle close-up footage of a young man screwing a lightbulb into an electrical fitting suspended from a tin roof. Low-angle footage of men erecting a solar panel on top of a wall in a rural setting where we see livestock grazing and a young boy standing at frame-right, looking on. Slow-motion low-angle footage of an Indian woman walking past a bank of solar panels beneath a bright blue sky, moving in the direction of frame-left the woman is wearing a sari and carrying a pot on her head. I think Shell is providing society the reliable and affordable access to energy, because its prime focus is people. Low-angle footage of graphics and data displayed on a screen. Close-up footage of Abhilasha speaking into the camera, as before. High-angle still shot of a group of Shell employees smiling up at the camera, Abhilasha standing in the middle of the group. When I joined Shell, that’s when I realized, it is putting in so much effort to invest in new technologies. Low-angle footage of a flickering lightbulb in a fitting fixed to a roughly-built wall in an otherwise dark room. We cut back to Abhilasha speaking into the camera, and then back to the footage of her walking in the business district, this time shown in close-up.Įlectricity was the major issue in my childhood, and it is still an issue there.Ĭlose-up of the flame burning on a tin-and-wick lamp in the dim background, someone turns the pages of a book. Extreme wide-angle footage of Abhilasha striding across a paved area in a busy business district towards a flight of stairs. That’s a constant goal throughout whatever I do.Ĭlose-up footage of Abhilasha speaking into the camera, as before. My family allowed me to dream, to make them proud.
#TORCHLIGHT HIRE SERIES#
A series of still shots of Abhilasha posing for the camera with various family members successively transition into and out of frame. Panning aerial footage of city streets and buildings in India. They never put any restrictions on my dressing, on my talking, on my education. My grandfather, grandmother, or my parents were not a part of this mindset.
Next, we see wide-angle footage of multiple levels of glass-fronted offices in adjacent office towers. This cuts to a bird’s eye view of the view below, seen through the window, where we see people moving about a courtyard in the business complex.
We see wide-angle footage, cutting to a close-up, of Abhilasha seated with a laptop on a window ledge in a modern office, looking out the window at the cityscape below. Life decisions, the choices, everything is controlled by the family.
Title displays over the this shot.Ĭlose-up footage of Abhilasha speaking into the camera, seen against the background of an office interior. We open on a wide-angle still shot of a domed Indian temple seen below blue sky, seen from the point of view of a temple archway, where a dark interior surrounds the archway. In this video, we meet Abhilasha, an engineer working at Shell in India, and she describes her background and how her job at Shell makes a difference.Ħ0 SEC BIOG - Abhi V11 - 16x9 – MASTER Transcript
0 kommentar(er)
